RME DIGICheck x Mac!!!!!!!!!!!!!!!!

[nobody]

E si, l'avevo pensato di creare un loopback ma non so come si fa... ora seguo le tue istruzioni.
Grazie

__________________________________________________ ______________
MacBookPro 2,5Ghz - ram 4GB - OSX 10.5.6 | Logic Pro 7.2.3/8.0.2 | RME ff400

[nobody]

GRANDE!!! GRAZIEISSIMO![]

__________________________________________________ ______________
MacBookPro 2,5Ghz - ram 4GB - OSX 10.5.6 | Logic Pro 7.2.3/8.0.2 | RME ff400

[Oblique]

Cosa ne pensi? per me non è come altri analizzatori che ho provato... prova a settare i tempi di risposta tutti al minimo, la musica sembra più bella
Se leggi gli articoli sul sito rme ti rendi conto che è veramente ben fatto... non un giocattolino...

As opposed to nearly all current PC-based solutions no FFT (Fast Fourier Transform) is used. This method offers no useable translation of sound into vision. The 'bands' of a FFT have a constant frequency distance, which results in the higher area in numerous bands, in the lower frequencies in very few bands. Some manufacturers try to work around this problem, but even then a sine will show a non-symmetrical display, and an insufficient separation between bands.

RME's Spectral Analyser performs a true bandpass filter calculation, as usual in all professional devices (hardware). The frequency distance between the filters is not linear, but scaled according to human hearing. The highly optimized software allows to run a 30 band analyser with 50 dB range, sharp filters and 100 LEDs per band, without driving the computer to its limits. On a Pentium III 600 MHz the CPU load is around 15%, including the unavoidable graphics load! (Update: P4 2.4 GHz less than 2%).
Thanks to its complete digital operation the Spectral Analyser offers features previously unavailable from analog analysers. These features include freely adjustable rise and release times, a display configurable in many ways, different filters and special display modes. Tanks to the high calculation accuracy of modern CPUs, the Analyser will show levels precisely down to a jaw dropping -140 dBFS.

Notes on Operation

The most important application using a Spectral Analyser is the visualization of frequencies and levels found in music or speech. What you see is what your hear! The Analyser shows levels and frequencies even at the edge of the human ear's abilities. The visual display helps to train your ears, and avoids serious mistakes when mixing to the master tape. Usual studio monitors won't let you hear frequencies below 100 Hz. Simply look on the Analyser to see what's going on in the underground!

Reading the display is not easy for novices, because of the huge amount of information that it shows. But after some training you'll agree that this tool is a precious help in every day work.

e ancora....

The peak level (AC+DC) is shown in the inner bars. Every single sample is used for computing Peak level and RMS level. A single sample is sufficient for a 0 dBFS readout. Overs are indicated when more than a user defined count (1 to 20) of consecutive full scale samples occur. A Peak Hold function with adjustable hold time (0.2 s to 100 s) is also implemented.

The RMS level (only AC) is shown in the outer bars. The reference (0 dBFS) is a sine with digital full scale level. This allows easy comparisons of RMS and Peak with usual signals. The RMS display is based on a mathematical true calculation of the root mean square, and will therefore display highly (!) accurate values.

For example: Play back the file crest_16.wav (found on our download page or on the RME Driver-CD) using the DIGI96, connect output to input (Clock Mode Master!) and start the Level Meter. It shows a peak value of 0 dBFS, but a RMS-value of only -16,1 dBFS. Every measurement device based on usual analog RMS detectors will come in big trouble confronted with such a high Crest value (ratio peak to rms) and will show wrong values around -6 dB.

Thanks to 24-Bit the meters break down the lower barrier. Finally you are enabled to see the real dynamics of your equipment! And we don't make jokes: The RMS levels shown from DIGICheck equal exact (!) the values measured by 10.000$ audio measurement systems! To be more specific they equal RMS unweighted, which means RMS without any special weighting filter. To achieve a better readability at lower noise levels we recommend to set the release rate to 10 dB/s (or to use the Bit Statistic instead, see below).

__________________________________________________ _____________________________________
MBpro 2.5Ghz 4Gb - MacOSX 10.5.6 - Logic Pro 8.0.2 - Euphonix MC Control - RME ff400 - ADAM p11-a

[nobody]

che ne penso? che è stupendo!!! appoggiandosi completamente sulla scheda è come avere un analizzatore di spettro dedicato... e che analizzatore!

__________________________________________________ ______________
MacBookPro 2,5Ghz - ram 4GB - OSX 10.5.6 | Logic Pro 7.2.3/8.0.2 | RME ff400

[nobody]

la schermata automatica dell'analizzatore di spettro mi fa morire! []

__________________________________________________ ______________
MacBookPro 2,5Ghz - ram 4GB - OSX 10.5.6 | Logic Pro 7.2.3/8.0.2 | RME ff400